Showing posts with label Art 220/BCT. Show all posts
Showing posts with label Art 220/BCT. Show all posts

Tuesday, January 20, 2009

Contour line drawing (and Gaston Bachelard)

A great quote by Gaston Bachelard from his book The Poetics of Space:
Immensity is within ourselves. It is attached to a sort of expansion of being that life curbs and caution arrests, but which starts when we are alone. As soon as we become motionless, we are elsewhere; we are dreaming in a world that is immense. Indeed, immensity is the movement of motionless man.

Do not underestimate the significance of just sitting still--something this assignment forces you to do for a time.

Some things to think about contour line drawing, while drawing:

Contour line drawing is deceptively simple.

To make a contour line drawing, one really only needs a piece of paper and virtually ANY writing or drawing implement.

Sit, look, draw what you see with a line.

But to really make a contour line drawing, one needs some other things too, and this is where the process, if really tackled with eyes wide open, becomes a challenge.

One needs time. (Are you willing to sit for a good long while?--in silence perhaps, or not, but in either case, are you willing to focus only on what is in front of you. Phone turned off or at least away. No texting. Perhaps the question should really be, are you ABLE to sit for a time, an hour?, and just draw. A whole hour. Drawing. Staying put.)

One has to look. (Are you willing to really look at your subject--at every facet, detail, texture, element, part. Can you?)

One has to head into the drawing believing it is nearly impossible to record it all, but determined to try nonetheless. (Or maybe that knowledge comes more slowly, when the huge chasm between our eye and our hand become more apparent--and poignant.)

Are you willing to let mistakes remain. No erasing--invariably there will be mistakes in proportion. Can you allow those "mistakes" to exist, to meld into the greater overall project of exercising SEEING? Can you privilege the process more than the product? Will you try?

Can you settle your internal critic for the duration of this drawing? Perhaps begin by hearing that critical voice--can you then move on, ignoring it--hard yes, but it is possible.

Can you trust that growth might happen in doing something simple, something you don't fully understand, or even something that infuriates you?

When you are through, tell me about your experience in as much detail as possible. Thanks!!!

Thursday, January 15, 2009

Drawings hits (Fall 2008, Intermediate Drawing)


Some fantastic images by Annaleigha Wilke (bottom pic and two images on the right of the top pic) and Sam Saatzer.

Directives: Using accumulated line, describe the volume of your own face. Keep the word "search" in mind. Medium: Acrylic paint and charcoal